World-class Volleyball Player and Pop Singer Juliann Johnson Releases Complete

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World-class Volleyball Player and Pop Singer Juliann Johnson Releases Complete

Collection features upbeat songs sending a powerful message that no obstacles can stop your dreams

Juliann Johnson(DALLAS – May 25, 2017) JuliannJohnson, a world-class volleyball player, has released her new EP – Complete, a new collection of upbeat songs that send a powerful message that no matter the obstacles, you can accomplish your dreams.

The new collection is available on all music streaming and download services, including iTunes, Google Play, and Amazon. Featured singles include In Me, Fearless, Crazy, and Light Up the Sky.

The 6-foot, 2-inch-California native, now Texas resident, says she is drawing off her own personal experiences. A year ago a severe knee injury threatened to end her volleyball career. Johnson had a doctor tell her she would never play volleyball again.  Johnson, 27, says she had plenty of time to do some soul-searching, realizing her love of her sport – and of singing.

“This album is rich with all sorts of messages that are very personal,” says Johnson, who is hoping to play volleyball in the 2020 Summer Olympics in Tokyo. “I’m writing songs where I want every word to count. I want people to feel that for every dream you have, there’s a reason, a purpose. I want anyone, especially young people, listening to my music, to feel like they can do anything, be anything and live beyond the boxes we tend to find ourselves stuck in.”

Johnson, a graduate of the University of Texas at Austin, has had an amazing journey. Her father is Chuck Faucette, the former NFL pro-turned high school and college football coach, and her mom, Carolyn Erickson, a nationally known fitness guru. Johnson has traveled the world playing volleyball for teams in Italy, France and most recently, China. She devoted much of her childhood to gymnastics, but she grew six inches in eighth grade. That’s when she jumped into volleyball – after initially refusing to go to her first camp. “I really didn’t want to go,” she recalls. “I cried and cried. Then afterward, I realized how much I loved it.”

Johnson became a nationally-recognized college player, then after graduation headed off to play professionally in Italy, France, and China.  While playing in Italy during her second professional season, her love of music kicked into a new gear. As a child, Johnson had played the violin and sang in choirs. It wasn’t until an Italian fan noticed some of Johnson’s singing performances on YouTube. That’s when Johnson’s fans couldn’t resist: They asked her to sing Alicia Key’s “Girl on Fire” at a halftime show. Her teammates and the Italian fans fell in love with her. A local group, Italian Job, and its music producer pulled her into the studio, and that laid the groundwork for this new single, and this new album, Complete.

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Murals to be presented at African American Museum in Dallas
First Time Murals Will Ever Leave Talladega College

“Rising Up: Hale Woodruff’s Murals at Talladega College” Will Provide Fresh Look at Murals Depicting Key Moments in African American History


The Talladega murals (, which are considered among Woodruff’s greatest achievements, have undergone conservation at the Atlanta Art Conservation Center under the auspices of the High Museum of Art. “Rising Up: Hale Wood-ruff’s Murals at Talladega College” will be on view at the African American Museum in Dallas, October 6, 2012 – February 28, 2013.

Comprising six monumental canvases arranged in two cycles of three, the vibrant murals portray heroic efforts to resist slavery as well as moments in the history of the college, which opened in 1867 to serve the educational needs of a new population of freed slaves. The first cycle depicts the uprising on the slave ship La Amistad, the trial that followed and the subsequent freedom and return to Africa of the captives on that ship. The companion murals show themes of the Underground Railroad, the founding of Talladega College and the construction of Savery Library, for which the murals were commissioned. The restoration process will address the effects of aging on the works. The exhibition at the High Museum of Art will include works that span Woodruff’s career, with a particular focus on his important work as a muralist. In addition to the Talladega murals and studies, this exhibition will feature examples of Woodruff’s other mural commissions as well as smaller-scale paintings he made while in Mexico, where he went in 1936 to study mural painting with Diego Rivera. The project also explores Woodruff’s impact on the arts and the opportunities he provided for artists of color in his role as the first chair of the newly established art department of Atlanta University (now Clark Atlanta University) from 1931 to 1946.

The exhibition project is accompanied by a catalogue that includes essays on the artist, the murals, Talladega College and American mural painting in the decades surrounding the Talladega project. A descriptive photo essay on the findings of the conservation work is also featured. After the murals are exhibited nationally, they will return to Talladega College in 2015.

“Exhibiting these murals holds a particular relevance for the people of Texas,” said Dr. Harry Robinson, Jr., President/CEO of the African American Museum in Dallas. “Hale Woodruff was one of the artists who exhibited in the Hall of Negro Life at the Texas Centennial State Fair in 1936. The African American Museum currently occupies the site where the Hall of Negro Life stood.

Hale Aspacio Woodruff Hale Aspacio Woodruff (1900–1980) was born in Cairo, Illinois. He studied art at both the John Herron Art Institute in Indianapolis and the Fogg Museum of Harvard University. Woodruff contributed to the development of African Ameri-can art not only as an artist, but also as a distinguished arts educator. Woodruff’s first mural project was a collaboration with Wilmer Jennings in 1934. The four-panel mural, titled “The Negro in Modern American Life: Agriculture and Rural Life; Literature, Music, and Art,” was part of a public works project and a teaching project that involved both Wood-ruff’s students and a local junior high school. In 1935, Woodruff worked on Works Progress Administration (WPA) mu-rals for the Atlanta School of Social Work. Between 1931 and 1946, he served as the first chair of the newly established art department of Atlanta University. During the summer of 1936, Woodruff studied mural painting in Mexico under the mentorship of Diego Rivera. In 1946, he became a teacher at New York University, where he taught art for more than 20 years until his retirement in 1968. During the mid-1960s Woodruff and fellow artist Romare Bearden were instrumen-tal in starting the Spiral Group, a collaboration of African American artists working in New York. The Studio Museum in Harlem presented a retrospective of his work titled “Hale Woodruff: 50 Years of His Art” in 1979, and the High pre-sented “Hale Woodruff in Atlanta” in 2004, the first solo exhibition of Woodruff’s paintings in Atlanta since his death in 1980.

Exhibition Organization and Support

“Rising Up: Hale Woodruff’s Murals at Talladega College” is organized by the High Museum of Art, Atlanta, Georgia, in partnership with Talladega College, Talladega, Alabama. This exhibition is made possible by generous support from American Express. The conservation project is supported in part by an award from the National Endowment for the Arts.

High Museum of Art
The High Museum of Art, founded in 1905 as the Atlanta Art Association, is the leading art museum in the southeastern United States. With more than 12,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th and 20th century American and decorative art; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography and Afri-can art. The High is also dedicated to supporting and collecting works by Southern artists and is distinguished as the only major museum in North America to have a curatorial department specifically devoted to the field of folk and self-taught art. The High’s media arts department produces acclaimed annual film series and festivals of foreign, independent and classic cinema. In November 2005, the High opened three new buildings by architect Renzo Piano that more than doubled the Museum’s size, creating a vibrant “village for the arts” at the Woodruff Arts Center in midtown Atlanta. For more information about the High, please visit

The Woodruff Arts Center
The Woodruff Arts Center is ranked among the top four arts centers in the nation. The Woodruff is unique in that it
combines four visual and performing arts divisions on one campus as one not-for-profit organization. Opened in 1968, the Woodruff Arts Center is home to the Alliance Theatre, the Atlanta Symphony Orchestra, the High Museum of Art and Young Audiences. To learn more about the Woodruff Arts Center, please visit

About the African American Museum
The African American Museum is an institution dedicated to the research, identification, selection, acquisition,
presentation, and preservation of visual art forms and historical documents that relate to the African American commu-nity. The Collections of the museum combined with its related activities serve to assist all people to understand the African American experience. The African American Museum is the only museum of its kind in the Southwestern region of the United States. As a repository of the African American experience we affirm the following purposes: To be a living cultural institution that presents and interprets the diversity of enrichment of the African Ameri-can community.
To be a museum of history, which seeks to cultivate preserve and tell the story of growth, development, and contribution of the African American community to the American life.
African American Museum Season

American Airlines, CHASE, Trammell S. Crow, Delta Sigma Theta/Dallas Alumnae Chapter, ExxonMobil Corporation, Friendship West Baptist Church, Ben E. Keith Beers, H. Kay and Kenneth B. Jarvis Foundation, Dr. & Mrs. Wright L. Lassiter, Jr., Mr. & Mrs. Jerry Bradford, Locke Lord Bissell & Liddell LLP, R.G. Parrish Foods, Vin & Caren Prothro Foundation, South Dallas/Fair Park Trust Fund, State Fair of Texas, Texas Instruments, The Eugene McDermott Foundation, and The Meadows Foundation.

Community Partners
Antioch Fellowship Missionary Baptist Church, Good Street Baptist Church, Holy Cross Catholic Church, New Birth Baptist Church, Inspiring Body of Christ (IBOC), St. John Missionary Baptist Church (Grand Prairie), St. Paul Baptist Church, The Cathedral Cedar Crest CME Church & Plano North Metroplex Chapter Links, Inc.
The African American Museum, a Smithsonian Institution affiliate, is supported, in part, by funds from the City of Dal-las Office of Cultural Affairs, The Texas Commission on the Arts, and the National Endowment for the Arts,
a Federal agency.

Admission to the African American Museum is free except for groups of 10 or more—for groups of 10 or more, admission is $5 per adult and $2 per child under 12.

Hours of Operation
Tuesday – Friday, 11:00 a.m. – 5:00 p.m.; Saturday, 10:00 a.m. – 5:00 p.m.
The Museum is closed Sunday and Monday, as well as Thanksgiving Day and Christmas Day.

Group Tours
Tours may be scheduled for groups of 10 or more.

By joining the African American Museum, members will receive advance notice of exhibitions, lectures, performances and other special events. Museum members also receive a 10% discount on purchases of $5 or more in the new
Lassiter Emporium (formerly The Museum Store). Memberships start as low as $15 for the student level and go up to $1,000 or more for a benefactor membership. For membership information, call Rhonda Grimes.

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Dallas Author of “The Loom” Heads To Historic Melrose Plantation

Shella Gillus to Read, Sign Books at Plantation’s Weaving Room

(Dallas – April 16) Shella Gillus, a nationally recognized Dallas author of “The Loom”, will be the featured author at the 38th Annual Melrose Arts and Crafts Festival on the historic grounds of the Melrose Plantation in Natchitoches, La. April 21st and 22nd.

Gillus, whose book received nominated for an “NAACP Image Awards in the “Outstanding Literary Work – Debut Author” category, has scheduled a series of readings at the weaving house on the plantation grounds. The location is a perfect venue for Gillus whose book centers around “the loom room,” the place on every plantation where slaves, particularly after years in the tobacco and cotton fields, spent their days weaving and making clothes for their masters’ family.

“This is going to be very emotional for me,” said Gillus who wrote the book while juggling her family – her husband, Stacey, and two children, Spencer and Staci. “The Loom Room has such a special meaning in America’s history, but rarely gets talked about. My book tries to shed light on this part of slavery that played such an important role in so many lives.”

In fact, Cammie Henry, owner of the plantation until the mid 1930s, hosted many artists and writers over the years, including folk artist Clementine Hunter whose work includes the famous “Bowl of Zinnias” oil painting and many intricately woven quilts.

The Melrose festival, which attracts more than 1,200 visitors every year, is considered Louisiana’s largest arts and crafts fairs, featuring work from artisans around the country.  Originally built in 1796, the plantation has been designated a National Historic Landmark.

Gillus’ book, “The Loom” (Guideposts 2011, paperback $14.99) is a suspenseful, historic romance tale of a slave who passes for white and uses the wisdom of the elders to achieve her freedom is gaining national attention because its an engaging, well-written page-turner rich with colorful detail and crisp dialogue. The novel focuses on the story of Lydia, a woman who knew that her life as a slave on a Maryland plantation would end at the loom room. Gillus weaves her own tale, integrating the harsh, revealing truth of this nation’s troubled racial past with the broader, universal themes of love and freedom.


Gillus, a member of the Screen Actors Guild who has been two-time guest on the Oprah Winfrey Show, has received a top rating from RT Book Reviews, the popular book industry magazine, which gave the novel an impressive rating of 4.5 stars. The reviewer noted, “Gillus’ strong characters may be broken in spirit, but they trust that God will rescue them and show them freedom on the other side.”

The former Miss Black Heritage and 1st runner-up Miss Black Arizona was also crowned Miss Congeniality, the Copper Bowl Princess and member of the University of Arizona Homecoming Royalty.

To set up an interview with Ms. Gillus or set up a book signing, contact Neil Foote, Foote Communications, LLC,, 214.448.3765.  To order bulk copies of the book, The Loom is published by Guideposts ( and is available wherever books are sold, including Barnes & Noble: