Top Atlanta Black Artists Gearing Up for “Rhythms” Exhibit

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Top Atlanta Black Artists Gearing Up for “Rhythms” Exhibit

Rhythms Exhibit -The Art Brothers at ZuCot Gallery

 

 

 

 

The Art Brothers at ZuCot Gallery Preparing for “Rhythms” Exhibit, Featuring the Works of Acclaimed Atlanta Artists

(ATLANTA – April 22) The ZuCot Gallery is set to open a new exhibit, featuring the works of the 2013 Atlanta Jazz Festival Artist Charly Palmer along with artists Aaron F. Henderson and Georgette Baker.

The “Rhythms” exhibition will kick off with a reception from 6:00 p.m. to 10:00 p.m. Friday, April 26 at the gallery located at 100 Centennial The Art Brothers of ZuCot Gallery - AtlantaOlympic Park Drive S, Atlanta, GA 30313  (for GPS use 330 Chapel Street). You can RSVP for the event by calling 404.380.1040 or emailing info@zucotgallery.com.

The featured artists include:

Charly Palmer, a native of Fayette, Ala. who grew up in Milwaukee, specializes in acrylic mixed media works.  His pieces have been displayed all around the country and can be found in the private and public collections that include Atlanta Life Insurance, McDonald’s Corporation, Miller Brewing Company, the Coca Cola Company and Vanderbilt University. He currently has works on display at the Schomburg Center in Harlem New York.

Georgette Baker, who operates an independent studio in Atlanta, specializes in mixed-media collage and is represented by galleries around the country.  One of her works was most recently acquired by the Bessie Smith Cultural Center & Museum in TN.

Aaron F. Henderson, who spent much of his career as an engineer, followed his passion as an artist to produce work that is on exhibit at his family’s gallery and around the country.  He specializes in gouache on paper and oils on canvas. Selected pieces are currently on display at the Gibbes Museum of Art in Charleston, S.C. as part of Vibrant Vision – The Jonathan Green & Richard Weedman Collection.  He is currently preparing for an exhibition at the Hampton University Museum in Hampton, Va.

The Art Brothers at ZuCot Gallery – Brothers Onaje and Omari Henderson & business partner Troy Taylor- are the masterminds behind the exhibit and the gallery. Located in downtown Atlanta, the gallery is the result of many long hours of work, including the Henderson brothers who had carved out a name for themselves as Premier Art, founded by their father, Aaron, 20 years ago.

The Art Brothers at ZuCot Gallery are seeking out novice and seasoned collectors who want to begin or expand their collection through educational programs, such as an Art Tasting ™, Art Leasing, and Virtual Viewing.  The Art Brothers also already are working with such companies as Coca-Cola, The Home Depot and Kimberly Clark. They are working aggressively to expand the number of companies its working with to help them expand their art collections, and help them reach their corporate diversity goals by sharing African American art with their employees.

The gallery is open every Saturday from 1:00 p.m. to 4:00 p.m. or by appointment, calling 404.380.1040.  To interview the artists or the Art Brothers, contact Neil Foote, Foote Communications, LLC, neil@neilfoote.com, 214.448.3765.


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Atlanta Art Galleries Partner to Promote African American Artists

Partnership Will Use Educational Seminars, Innovative Programs

(ATLANTA ) Premier Art, Inc. and ZuCot Gallery are partnering to promote original artwork by today’s African American artists, representing a major move in Atlanta’s art community, company officials announced.

The partnership brings together Troy Taylor, owner of ZuCot Gallery, located in downtown Atlanta, and brothers, Onaje and Omari Henderson who have carved out a name for themselves at Premier Art Gallery, founded by their father, Aaron, 20 years ago.

“This is a big move for us,” said Onaje, who has a mechanical engineering background, but grew up surrounded by art. “We know there are a great number of talented African American artists in Atlanta – and around the country – who have produced powerful artwork that needs more exposure. We know there are new and experience collectors – individuals and companies – who are looking for new artwork. This partnership is going to help us jumpstart that opportunity.”

 

H&T Art Partners are seeking out novice and seasoned collectors who want to begin or expand their collection through educational programs, such as an Art Tasting ™, Art Leasing, and Virtual Viewing.  The company also is going to build off its base to work with companies around the country to build their art colleges, and help them reach some of their corporate goals by sharing African American art with their employees.

To date, the Henderson brothers already have worked with such Fortune 500 clients as The Coca-Cola Company, The Home Depot, The Tom Joyner Foundation, and Kimberly Clark.


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HALE WOODRUFF’S MONUMENTAL TALLADEGA MURALS TO COME TO TEXAS

Murals to be presented at African American Museum in Dallas
First Time Murals Will Ever Leave Talladega College

“Rising Up: Hale Woodruff’s Murals at Talladega College” Will Provide Fresh Look at Murals Depicting Key Moments in African American History

 

The Talladega murals (http://amistadmurals.com), which are considered among Woodruff’s greatest achievements, have undergone conservation at the Atlanta Art Conservation Center under the auspices of the High Museum of Art. “Rising Up: Hale Wood-ruff’s Murals at Talladega College” will be on view at the African American Museum in Dallas, October 6, 2012 – February 28, 2013.

Comprising six monumental canvases arranged in two cycles of three, the vibrant murals portray heroic efforts to resist slavery as well as moments in the history of the college, which opened in 1867 to serve the educational needs of a new population of freed slaves. The first cycle depicts the uprising on the slave ship La Amistad, the trial that followed and the subsequent freedom and return to Africa of the captives on that ship. The companion murals show themes of the Underground Railroad, the founding of Talladega College and the construction of Savery Library, for which the murals were commissioned. The restoration process will address the effects of aging on the works. The exhibition at the High Museum of Art will include works that span Woodruff’s career, with a particular focus on his important work as a muralist. In addition to the Talladega murals and studies, this exhibition will feature examples of Woodruff’s other mural commissions as well as smaller-scale paintings he made while in Mexico, where he went in 1936 to study mural painting with Diego Rivera. The project also explores Woodruff’s impact on the arts and the opportunities he provided for artists of color in his role as the first chair of the newly established art department of Atlanta University (now Clark Atlanta University) from 1931 to 1946.

The exhibition project is accompanied by a catalogue that includes essays on the artist, the murals, Talladega College and American mural painting in the decades surrounding the Talladega project. A descriptive photo essay on the findings of the conservation work is also featured. After the murals are exhibited nationally, they will return to Talladega College in 2015.

“Exhibiting these murals holds a particular relevance for the people of Texas,” said Dr. Harry Robinson, Jr., President/CEO of the African American Museum in Dallas. “Hale Woodruff was one of the artists who exhibited in the Hall of Negro Life at the Texas Centennial State Fair in 1936. The African American Museum currently occupies the site where the Hall of Negro Life stood.

Hale Aspacio Woodruff Hale Aspacio Woodruff (1900–1980) was born in Cairo, Illinois. He studied art at both the John Herron Art Institute in Indianapolis and the Fogg Museum of Harvard University. Woodruff contributed to the development of African Ameri-can art not only as an artist, but also as a distinguished arts educator. Woodruff’s first mural project was a collaboration with Wilmer Jennings in 1934. The four-panel mural, titled “The Negro in Modern American Life: Agriculture and Rural Life; Literature, Music, and Art,” was part of a public works project and a teaching project that involved both Wood-ruff’s students and a local junior high school. In 1935, Woodruff worked on Works Progress Administration (WPA) mu-rals for the Atlanta School of Social Work. Between 1931 and 1946, he served as the first chair of the newly established art department of Atlanta University. During the summer of 1936, Woodruff studied mural painting in Mexico under the mentorship of Diego Rivera. In 1946, he became a teacher at New York University, where he taught art for more than 20 years until his retirement in 1968. During the mid-1960s Woodruff and fellow artist Romare Bearden were instrumen-tal in starting the Spiral Group, a collaboration of African American artists working in New York. The Studio Museum in Harlem presented a retrospective of his work titled “Hale Woodruff: 50 Years of His Art” in 1979, and the High pre-sented “Hale Woodruff in Atlanta” in 2004, the first solo exhibition of Woodruff’s paintings in Atlanta since his death in 1980.


Exhibition Organization and Support

“Rising Up: Hale Woodruff’s Murals at Talladega College” is organized by the High Museum of Art, Atlanta, Georgia, in partnership with Talladega College, Talladega, Alabama. This exhibition is made possible by generous support from American Express. The conservation project is supported in part by an award from the National Endowment for the Arts.

High Museum of Art
The High Museum of Art, founded in 1905 as the Atlanta Art Association, is the leading art museum in the southeastern United States. With more than 12,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th and 20th century American and decorative art; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography and Afri-can art. The High is also dedicated to supporting and collecting works by Southern artists and is distinguished as the only major museum in North America to have a curatorial department specifically devoted to the field of folk and self-taught art. The High’s media arts department produces acclaimed annual film series and festivals of foreign, independent and classic cinema. In November 2005, the High opened three new buildings by architect Renzo Piano that more than doubled the Museum’s size, creating a vibrant “village for the arts” at the Woodruff Arts Center in midtown Atlanta. For more information about the High, please visit www.high.org.

The Woodruff Arts Center
The Woodruff Arts Center is ranked among the top four arts centers in the nation. The Woodruff is unique in that it
combines four visual and performing arts divisions on one campus as one not-for-profit organization. Opened in 1968, the Woodruff Arts Center is home to the Alliance Theatre, the Atlanta Symphony Orchestra, the High Museum of Art and Young Audiences. To learn more about the Woodruff Arts Center, please visit www.woodruffcenter.org.

About the African American Museum
The African American Museum is an institution dedicated to the research, identification, selection, acquisition,
presentation, and preservation of visual art forms and historical documents that relate to the African American commu-nity. The Collections of the museum combined with its related activities serve to assist all people to understand the African American experience. The African American Museum is the only museum of its kind in the Southwestern region of the United States. As a repository of the African American experience we affirm the following purposes: To be a living cultural institution that presents and interprets the diversity of enrichment of the African Ameri-can community.
To be a museum of history, which seeks to cultivate preserve and tell the story of growth, development, and contribution of the African American community to the American life.
African American Museum Season

Sponsors
American Airlines, CHASE, Trammell S. Crow, Delta Sigma Theta/Dallas Alumnae Chapter, ExxonMobil Corporation, Friendship West Baptist Church, Ben E. Keith Beers, H. Kay and Kenneth B. Jarvis Foundation, Dr. & Mrs. Wright L. Lassiter, Jr., Mr. & Mrs. Jerry Bradford, Locke Lord Bissell & Liddell LLP, R.G. Parrish Foods, Vin & Caren Prothro Foundation, South Dallas/Fair Park Trust Fund, State Fair of Texas, Texas Instruments, The Eugene McDermott Foundation, and The Meadows Foundation.

Community Partners
Antioch Fellowship Missionary Baptist Church, Good Street Baptist Church, Holy Cross Catholic Church, New Birth Baptist Church, Inspiring Body of Christ (IBOC), St. John Missionary Baptist Church (Grand Prairie), St. Paul Baptist Church, The Cathedral Cedar Crest CME Church & Plano North Metroplex Chapter Links, Inc.
The African American Museum, a Smithsonian Institution affiliate, is supported, in part, by funds from the City of Dal-las Office of Cultural Affairs, The Texas Commission on the Arts, and the National Endowment for the Arts,
a Federal agency.

Admission
Admission to the African American Museum is free except for groups of 10 or more—for groups of 10 or more, admission is $5 per adult and $2 per child under 12.

Hours of Operation
Tuesday – Friday, 11:00 a.m. – 5:00 p.m.; Saturday, 10:00 a.m. – 5:00 p.m.
The Museum is closed Sunday and Monday, as well as Thanksgiving Day and Christmas Day.

Group Tours
Tours may be scheduled for groups of 10 or more.

Memberships
By joining the African American Museum, members will receive advance notice of exhibitions, lectures, performances and other special events. Museum members also receive a 10% discount on purchases of $5 or more in the new
Lassiter Emporium (formerly The Museum Store). Memberships start as low as $15 for the student level and go up to $1,000 or more for a benefactor membership. For membership information, call Rhonda Grimes.


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